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Use these essay questions as writing and critical thinking exercises for all levels of writers, and to build their literary analysis skills by requiring textual references throughout the essay.
Differentiation Suggestion: For English learners or struggling writers, strategies that work well include graphic organizers, sentence frames or starters, group work, or oral responses.
Scaffolded Essay Questions
Student Prompt: Write a short (1-3 paragraph) response using one of the below bulleted outlines. Cite details from the play over the course of your response that serve as examples and support.
1. In Scene 3, Antigone and Kreon argue their points about the burial, alluding to a much larger thematic discussion on God and Man’s Law.
2. The Chorus, a constant presence in the play, repeatedly returns to the theme of Fate and its Inescapability.
3. Throughout the play, several characters allude to the difference between Youth and Age, particularly as it relates to power and justification for decisions.
Full Essay Assignments
Student Prompt: Write a structured and well-developed essay. Include a thesis statement, at least three main points supported by text details, and a conclusion.
1. In addressing the Chorus, Kreon gestures to Antigone and Ismene and states: “Gentlemen, I beg you to observe these girls: One has just now lost her mind; the other, it seem, has never had a mind at all.” Analyze this quote. To which girl does each part of the statement apply? Now consider the use of irony in Kreon’s statement. What does the statement imply about these girls’ relationships with God and Man’s Law throughout the story? Support your answer with quotes from the text.
2. Analyze the play through the lens of gender roles. How does gender play a part in the characters’ decisions? Select one character to analyze and substantiate your argument with examples.
3. Identify two examples of foreshadowing in Antigone and explain how they link to the theme of Fate and its Inescapabilty. Use quotes from the text to strengthen your response.
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